"Featuring a supremely talented cast and ably directed by Bryan Conger, “Caroline, or Change” is a sometimes exhilarating, sometimes disorienting play that is not easily forgotten."
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"Overall, the production is filled with plays on words, mild dirty humor and high energy that all made for a hilarious and light-hearted evening."
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"Successfully scaring someone is a science and an art; it takes a precise manipulation of lighting, sound and suspense to create a feeling of uneasiness. Triad Stage capitalized on all three key components to artfully craft their scare tactic during its opening performance of Deathtrap."
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"Having a few country roots of my own, I also appreciated how the performance embodied the good nature of Southern Folk, friendship and just enjoying the simple things."
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"Children, especially this cast of performers, are able to humanize the notions of need, fragility, and abandonment. Therefore, when coupled with Conger's choice to juxtapose their story-driving narration with blocking that depicts instrumentality, in scenes in where the children literally become used inanimate objects, the emotional impact is unmistakable"
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"Bryan Conger directs this production, as comfy as a visit with an old friend and as dynamic as only a live musical can be."
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"Triad Stage’s A Christmas Carol is something for which Greensboro should be proud. It has taken its place among the city’s most beloved traditions."
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"Directed by Bryan Conger, Triad Stage artistic associate, tick, tick … BOOM! is yet another indication that a production in a small venue can be one of the hottest tickets around, in this case, a contained explosion of acting and music."
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"Conductor William Carroll and director Bryan Conger (in his Master’s thesis production) gave audiences an evening of music, acting and dancing that certainly rivaled the best of the long stage history of Oklahoma!"
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